Silent Spring, Falls Dam
$65.00
Price includes postage within NZ. Please email for international rates: grahame@grahamesydney.co.nz
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Auripo Road
$65.00From the ‘Classic Series’. Measures 72 x 45cm. Proofed and hand-signed in pencil by Grahame, printed on premium heavy 250gsm satin artboard and offfset printed for high colour accuracy. Price includes postage within NZ. Please email for international rates: grahame@grahamesydney.co.nz
‘Auripo Road’. Egg Tempera. 420 x 748mm. 1979. Private Collection. “This painting came about as a direct result of my car breaking down and me finding myself alone at the roadside, waiting for a passing vehicle to give me a hand. Nearby was a gravel intersection with an assembly of rural mail boxes for the properties down Auripo Road; each with its own private story and character, all hoping – as I was – for some life and relief from the silence and the boredom. As I waited I began to realise there was a subject for me.” Grahame Sydney
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Last Man Standing
$65.00Measures 89 x 61cm. Proofed and hand-signed in pencil by Grahame, printed on premium heavy 250gsm satin artboard and offset printed for high colour accuracy. Price includes postage within NZ. Please email for international rates: grahame@grahamesydney.co.nz
‘Last Man Standing’. Oil on Linen. 760 x 1220mm. 2019. Private Collection. “So often my decision to use something in a painting rings a death knell. In this case the tree, on a plateau between Becks and Lauder, was felled by the farmer soon after I drew it.” Grahame Sydney
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Night Approaches Beattie Road
$65.00Measures 72 x 56cm. Proofed and hand-signed in pencil by Grahame, printed on premium heavy 250gsm satin artboard and offfset printed for high colour accuracy. Price includes postage within NZ. Please email for international rates: grahame@grahamesydney.co.nz
‘Night Approaches Beattie Road’. Watercolour and Gouache. 545mm x 730mm. 2017. Private Collection. “Close to our home, and part of my ritual mountain bike circuit along the St. Bathans Downs, I’ve painted Beattie Road several times. I find minimal subjects often the most appealing: when little is offered, everything there is more meaningful. Here the story is in what remains – tracks tell where the sheep have been, that a tractor or farmer’s ute must have been here recently, a willow once flourished, but no longer. And the sky confirms another bone-chilling winter’s day is about to end.” Grahame Sydney.